Let codec_tags.c do the messy mapping.
In theory we could simplify further by makign demux_mkv.c directly use
codec names instead of the MPlayer-inherited "internal FourCC" business,
but I'd rather not touch this - it would just break things.
For a while, we used this to transfer PCM from demuxer to the filter
chain. We had a special "codec" that mapped what MPlayer used to do
(MPlayer passes the AF sample format over an extra field to ad_pcm,
which specially interprets it).
Do this by providing a mp_set_pcm_codec() function, which describes a
sample format in a generic way, and sets the appropriate demuxer header
fields so that libavcodec interprets it correctly. We use the fact that
libavcodec has separate PCM decoders for each format. These are
systematically named, so we can easily map them.
This has the advantage that we can change the audio filter chain as we
like, without losing features from the "rawaudio" demuxer. In fact, this
commit also gets rid of the audio filter chain formats completely.
Instead have an explicit list of PCM formats. (We could even just have
the user pass libavcodec PCM decoder names directly, but that would be
annoying in other ways.)
Digital pass-through was probably broken. Possibly fix it (no way to
test). This also should make the logic slightly saner.
Fortunately, it's unlikely that anyone who uses OSS has a spdif setup.
Commit 5b5a3d0c broke this. The really funny thing is that this code was
actually always under "#if BYTE_ORDER == BIG_ENDIAN". The breaking
commit just edited this code slightly, but it must have failed to
compile on big endian long before (since over 1 year ago, commit d3fb58).
Should be able to pass-through AC3, DTS, and others.
It seems PulseAudio wants players to fallback to PCM on certain events
signaled by the server, but we don't implement that. There's not much
documentation available anyway.
Before this commit, there was AF_FORMAT_AC3 (the original spdif format,
used for AC3 and DTS core), and AF_FORMAT_IEC61937 (used for AC3, DTS
and DTS-HD), which was handled as some sort of superset for
AF_FORMAT_AC3. There also was AF_FORMAT_MPEG2, which used
IEC61937-framing, but still was handled as something "separate".
Technically, all of them are pretty similar, but may use different
bitrates. Since digital passthrough pretends to be PCM (just with
special headers that wrap digital packets), this is easily detectable by
the higher samplerate or higher number of channels, so I don't know why
you'd need a separate "class" of sample formats (AF_FORMAT_AC3 vs.
AF_FORMAT_IEC61937) to distinguish them. Actually, this whole thing is
just a mess.
Simplify this by handling all these formats the same way.
AF_FORMAT_IS_IEC61937() now returns 1 for all spdif formats (even MP3).
All AOs just accept all spdif formats now - whether that works or not is
not really clear (seems inconsistent due to earlier attempts to make
DTS-HD work). But on the other hand, enabling spdif requires manual user
interaction, so it doesn't matter much if initialization fails in
slightly less graceful ways if it can't work at all.
At a later point, we will support passthrough with ao_pulse. It seems
the PulseAudio API wants to know the codec type (or maybe not - feeding
it DTS while telling it it's AC3 works), add separate formats for each
codecs. While this reminds of the earlier chaos, it's stricter, and most
code just uses AF_FORMAT_IS_IEC61937().
Also, modify AF_FORMAT_TYPE_MASK (renamed from AF_FORMAT_POINT_MASK) to
include special formats, so that it always describes the fundamental
sample format type. This also ensures valid AF formats are never 0 (this
was probably broken in one of the earlier commits from today).
This code tried to play with the format bits, and potentially could
create invalid formats, or reinterpret obscure formats in unexpected
ways.
Also there was an abort() call if the winapi or mpv used a format with
unexpected bit-width. This could probably easily happen; for example,
mpv supports at least one 64 bit format. And what would happen on 8 bit
formats anyway?
Untested.
Until now, the audio chain could handle both little endian and big
endian formats. This actually doesn't make much sense, since the audio
API and the HW will most likely prefer native formats. Or at the very
least, it should be trivial for audio drivers to do the byte swapping
themselves.
From now on, the audio chain contains native-endian formats only. All
AOs and some filters are adjusted. af_convertsignendian.c is now wrongly
named, but the filter name is adjusted. In some cases, the audio
infrastructure was reused on the demuxer side, but that is relatively
easy to rectify.
This is a quite intrusive and radical change. It's possible that it will
break some things (especially if they're obscure or not Linux), so watch
out for regressions. It's probably still better to do it the bulldozer
way, since slow transition and researching foreign platforms would take
a lot of time and effort.
IEC 61937 frames should always be little endian (little endian 16 bit
words). I don't see any apparent need why the audio chain should handle
swapped-endian formats.
It could be that some audio outputs might want them (especially on big
endian architectures). On the other hand, it's not clear how that works
on these architectures, and it's not even known whether the current code
works on big endian at all. If something should break, and it should
turn out that swapped-endian spdif is needed on any platform/AO,
swapping still could be done in-place within the affected AO, and
there's no need for the additional complexity in the rest of the player.
Note that af_lavcac3enc outputs big endian spdif frames for unknown
reasons. Normally, the resulting data is just pulled through an auto-
inserted conversion filter and turned into little endian. Maybe this was
done as a trick so that the code didn't have to byte-swap the actual
audio frame. In any case, just make it output little endian frames.
All of this is untested, because I have no receiver hardware.
libavcodec/libavformat now handles gapless audio better. In theory, this
could be implemented with ad_mpg123 too, but since libavformat strips
metadata from mp3 files and passes pure mp3 packets to the decoders
only, this can't work by itself. Instead, the player must pass this
metadata separately. libav* do this relatively transparently over packet
"side data" (attached to AVPacket).
It might also be possible to let libmpg123 handles all this by
implementing it as demuxer that outputs PCM, but that would have other
problems, and I think it's better to make libavformat work correctly.
libmpg123 can still be used with '--ad=mpg123:mp3'.
Also see issue #1101.
Be less clever, and restore the volume state even with AOs like pulse,
which have per-application audio.
Before this commit we didn't do this, because the volume is global (even
if per-application), so the volume will persist between invocations. But
to me it looks like always restoring is less tricky and makes for easier
to understand semantics.
Also, don't always unmute on exit. Unmuting was done even with ao_pulse,
and interfered with user expectations (see #1107).
This might annoy some users, because mpv will change the volume all the
time. We will see.
Fixes#1107.
Sometimes, --af=hrtf produces heavy artifacts or silence. It's possible
that this commit fixes these issues. My theory is that usually, the
uninitialized coefficients quickly converge to sane values as more audio
is filtered, which would explain why there are often artifacts on init,
with normal playback after that. It's also possible that sometimes, the
uninitialized values were NaN or inf, so that the artifacts (or silence)
would never go away.
Fix this by initializing the coefficients to 0. I'm not sure if this is
correct, but certainly better than before.
See issue #1104.
Pausing/unpausing while the audio device can't be reopened, and then
unpausing again when the device is finally reopened, can hang the
player for a while.
This happens because p->prepause_samples grows without bounds each
time the player is unpaused while the device is lost. On unpause,
ao_oss plays prepause_samples of silence to compensate for A/V timing
issues due to the partially lost buffer (we can't pause the device at
an arbitrary sample position, and the current period will be lost).
This in turn will make the player appear to be frozen if too much
audio is queued. (Normally, play() must never block, but here it
happens because more data is written than get_space() reports. A
better implementation would never let prepause_samples grow larger
than the period size.)
The unbounded growth happens because get_space() always returns that
the device can be written while the device is lost. So limit it to
200ms. (A better implementation would limit it to the period size.)
Also see #1080.
The filter output size can be 0. Due to how filtering works, this is
nothing unusual, but avresample_convert() will return 0. The same case
is already handling with "normal" resampling (this commit fixes the
reordering code).
Additionally, don't use an assert(). avresample_convert() failing is
unusual, but might also happen due to e.g. internal out of memory
conditions, so we shouldn't just crash on it.
Curiously observed with --ao=oss --audio-channels=5.1 when changing
speed.
Apparently NetBSD users want/need this (see issue #1080).
In order not to break playback, we need at least to emulate get_delay().
We do this approximately by using the system clock.
Also, always close the audio device on reset. Reopen it on play only. If
we can't reopen it, don't retry until after the next time reset or
resume is called, to avoid spam and unexpectedly "stealing" back the
audio device.
Also do something about framestepping causing audio desync.
The context struct had an audio_buf_info field, but there's no reason
why this would be needed. It's a tiny struct, and it isn't permanent
state. It's always returned by SNDCTL_DSP_GETOSPACE. Keeping this as
field is just confusing, so get rid of it.
The code for reopening the audio device was separate, and duplicated
some of the "real" open code. This was very badly done, and major
required parts of initialization were skipped. Fix this by removing
the code duplication. This consists mainly of moving the code for
opening the device to a separate function, and adding some changes
to handle format changes gracefully. (We can't change the audio
format on the fly, but we can at least not explode and play noise
when that happens.)
As a minor change, actually always use SNDCTL_DSP_RESET when closing
the audio device. We don't want to wait until the rest of the buffer
is played.
Also, don't use strerror() when printing the error message that
reopening failed, simply because reopen_device() takes care of this,
and also errno might be clobbered at this point.
I have no idea whether this is true, because there literally doesn't
seem to exist documentation for SNDCTL_DSP_RESET. But at least on
Linux' OSS emulation, it is true. Also, it would be quite insane if
it would be needed.
It seems on NetBSD SNDCTL_DSP_RESET exists, but using it for pausing
is not feasible. We still use it to discard the audio buffer when
closing the audio device.
Replace select() usage with poll() (and reduce code duplication).
Also, while we're at it, drop --disable-audio-select, since it has the
wrong name anyway. And I have doubts that this is needed anywhere. If
it is, it should probably fallback to doing the right thing by default,
instead of requiring the user to do it manually. Since nobody has done
that yet, and since this configure option has been part of MPlayer ever
since ao_oss was added, it's probably safe to say it's not needed.
The '#ifdef SNDCTL_DSP_GETOSPACE' was pointless, since it's already used
unconditionally in another place.
Improve the logic how the audio thread decides how to wait until the AO
is ready for new data. The previous commit makes some of this easier,
although it turned out that it wasn't required, and we still can handle
AOs with bad get_space implementation (although the new code prints an
error message, and it might fail in obscure situations).
The new code is pretty similar to the old one, and the main thing that
changes is that complicated conditions are tweaked. AO waiting is now
used better (mainly instead of max>0, r>0 is used). Whether to wakeup
is reevaluated every time, instead of somehow doing the wrong thing
and compensating for it with a flag.
This fixes the specific situation when the device buffer is full, and
we don't want to buffer more data. In the old code, this wasn't handled
correctly: the AO went to sleep forever, because it prevented proper
wakeup by the AO driver, and as consequence never asked the core for new
data. Commit 4fa3ffeb was a hack-fix against this, and now that we have
a proper solution, this hack is removed as well.
Also make the refill threshold consistent and always use 1/4 of the
buffer. (The threshold is used for situations when an AO doesn't
support proper waiting or chunked processing.)
This commit will probably cause a bunch of regressions again.
Round get_space() results in the same way play() rounds the input size.
Some audio APIs do this for various reasons.
This affects only "push" based AOs. Some of these need no change,
because they either do it already right (like ao_openal), or they seem
not to have any such requirements (like ao_pulse).
Needed for the following commit.
Remove the unnecessary indirection through ao fields.
Also fix the inverted result of AOCONTROL_HAS_TEMP_VOLUME. Hopefully the
change is equivalent. But actually, it looks like the old code did it
wrong.
With --gapless-audio=no, changing from one file to the next apparently
made it hang, until the player was woken up by unrelated events like
input. The reason was that the AO doesn't notify the player of EOF
properly. the played was querying ao_eof_reached(), and then just went
to sleep, without anything waking it up.
Make it event-based: the AO wakes up the playloop if the EOF state
changes.
We could have fixed this in a simpler way by synchronously draining the
AO in these cases. But I think proper event handling is preferable.
Fixes: #1069
CC: @mpv-player/stable (perhaps)
It seems hrtf works in 48khz only - and if that wasn't the input, the
filter just exited with an error. Make it request the 48khz instead. The
player will insert a resampling filter.
Not sure why it wasn't done like this in the first place.
The audio/video sync code in player/audio.c calls ao_reset() each time
audio decoding is entered, but the player is paused, and there would be
more than 1 sample to skip to make audio start match with video start.
This caused a wakeup feedback loop with push.c.
CC: @mpv-player/stable
bstr.c doesn't really deserve its own directory, and compat had just
a few files, most of which may as well be in osdep. There isn't really
any justification for these extra directories, so get rid of them.
The compat/libav.h was empty - just delete it. We changed our approach
to API compatibility, and will likely not need it anymore.
The original intention was probably to avoid unnecessarily high numbers
of wakeups. Change it to wait at most 25% of buffer time instead of 75%
until refilling. Might help with the dsound problems in issue #1024, but
I don't know if success is guaranteed.
Reduce from 1000ms to 100ms. Since there is an audio thread updating AOs
quickly enough now, requesting such a large buffer size makes no sense
anymore.
wm4
Stefano Pigozzi